Truthfully, this will be more of an “overview” of The Dreams of Ruin by Geoff Grabowski than a review. Being friends with Geoof and having written for him, plus being a huge fan of the out there weird fiction science fantasy that populates the spaces in Geoff’s head between gardening and economics (no, really) I am not really qualified to give you an unbiased review of the book. That said, my goal isn’t to simply sell you the book either, except by telling you what it is, for real, and if that’s a thing you want to experience (and it should be) then go out there and get it. Or, well, click here.
The Dreams of Ruin (DoR) is a 261 page supplement for Labyrinth Lord and Mutant future, so called Old School Renaissance games published via the Open Games License by Goblinoid Games. As such, the book is compatible with most other old school rules systems, from Swords and Wizardry to OSRIC and, with a little more work, the likes of Basic Fantasy and Castles and Crusades. It is not a complete game, but is also more than simply a setting book or an adventure. Aimed at high level (15th or higher) play it is designed to give epic heroes a run for their money.
Setting and Tone
The title refers to a setting element that can best be described as an inter-dimensional infestation or infection — a world ending seepage across realities that takes the form of a terrible, primeval dark forest haunted by corrupted beats, faceless puppets and hate filled unseelie Fair Folk. It is at once the villain of the piece as well as the location in which adventures take place, and due to its pan-dimensional existence it can contain elements from worlds of fantasy, science fiction and every permutation of the two together. this is the key component of the DoR from a genre standpoint: it hearkens back to the weird fiction roots of D&D, where elephant headed alien gods entertained Cimmerian barbarians and fantastic city states of the dead sat on the ruins of a billion year old Earth. In an era of fantasy dominated by Lord of the Rings and The Song of Ice and Fire on botht eh page and the screen, it can be easily forgotten that what we call the fantasy genre started out much more diverse and stranger than it appears today.
If you are familiar with Geoff Grabowski’s work as line devloper of White Wolf Publishing’s Exalted RPG the fusion of epic struggle and science-fantastical elements that dominated that game are here as well, though in a much more focused manner.
The art of DoR is evocative of that same weird fantasy vibe. It ranges in both polish and quality but never wavers in tone. Whether it is a horned devil encased in power armor or a Puppet of Ruin (seen in the image above) massacre, the art remind the reader that this fantasy is different than the endless stream of heroic quests that have come before it.
In tone, the writing of DoR is generally conversational. The author addresses readers’ (presumably Game Masters) concerns directly, anticipating questions and alternating between readable prose and bullet points. He wants you to be able to understand this stuff so that you can use it in your game, which is often forgotten by game designers and authors. This book is full of strange ideas and non-standard fantastic elements and the author endeavors to get you to understand and accept those elements before moving on to the next bit. That said, it is not “simplistic” and the book does not appear to be written for the Game Master new to the craft or new to Old School games. it is safe to say that the author expects that your campaign reached the suggested high levels through actual play and therefore the GM knows how to run the game and incorporate new ideas.
Nuts and Bolts
The Dreams of Ruin is more than a descriptive book. The author develops a numbner of subsystems that provide concrete guidelines on how to implement the DoR into a campaign. The two most important are the rules governing how the “dark forest” manifestation of the Dreams works in play, and the rules for actually overcoming the threat of the dreams.
As stated above, the DoR are an infection in the world. Not surprisingly, that means it starts out small and grows in both size and virulence. In the parlance of DoR, the Dreams go through a series of Blossomings before they consume the whole world. The author lays out in meticulous detail how each blossing occurs, including tables for the size of the Dreams as they spread. In addition, each stage of the Dreams is given its own encounter tables and associated rules. It is possible using these rules to divorce the Dreams from its world ending aspects and simply use it as a very dangerous zone in the campaign world.
In addition to encounter tables, there are rules for the effects the Dreams have on those that travel through the forest (hint: it isn’t good) and the various sorts of entities and hazards that fill the Dreams. These are more than quick stat blocks. there is an ecosystem of terror here, with warring factions and dangerous interlopers — because of the inter-dimensional nature of the DoR, almost any sort of terror or treasure can be found within. Make no mistake, this is a truly high level threat zone and low level characters attempting to pass through, even briefly, will very likely meet a grotesquely cruel end.
The other major rules component covers how the player characters can actually cleanse their world of the infection that are the DoR. This is not simple task of killing a boss monster or casting a high level spell. Instead, a detailed process of research and experimentation is laid out. There are the usual assortment of new spells and magic items, but in order to “win” the player characters will have to understand the threat their world faces and then develop a method by which to counter it. It is a long process that engages players as well as their characters and gives the GM a built in system for motivating investigation and adventure. Most of all, the process is as spectacular as one would expect to be undertaken by PCs that amount to godlings themselves. For example, one of the prescribed methods to stem the tide of the Dreams is referred to in the book as “Massive Geomancy.”
The Dreams of Ruin is unlike anything currently on the market for Old School Renaissance games. It considerably expands the horizon of that particular subgenre of adventure game fantasy, inviting the audience into a world where slaying the dragon and saving the princess are barely more interesting than doing the dishes. It embraces the weird fiction influence of the past while being wholly original. And while I will not give it a grade due to my personal relationship with its creator, I would unhesitatingly recommend it to anyone who enjoys OSR gaming and wants to try something out of this world.
For a few more days as of this writing you can back the Dreams of Ruin Kickstarter here. You can even get a copy of the game here beforehand and then decide that Geoff deserves your support. If you want more information, read my interview with Geoff here.