This Book Is Not Yet Rated

One question I have gotten a number of times since the Elger and the Moon pre-order went live is some variation of: “What age group is this book written for?” Up until now, I have not thought overly hard about the answer to that question. When I was a kid, there were shelves full of fantasy and science fiction novels (my parents were members of the Science Fiction Book Club for as long as I can remember) and I would simply grab something off one of those shelves and read it. I never worried about whether the book would be appropriate or not: I would either be able to make sense of it or not, and either enjoy it or not.


For their part, my parents did not filter the world for us. We grew up on a farm where animals lived, bred and died and the entertainment we consumed was whatever we could handle without being little assholes about it. And if we did act inappropriately based on something we had read, watched or played, my parents wisely blamed us rather than the particular media. Of course, I am a parent now and I would go out on a limb and say my parents were much more discerning and careful about what we engaged in than I would have noticed at the time, but even so there were plenty of boobs, blood and bad words to keep my 12 year old self happy and feeling like I had the keys to the grown up kingdom.


All that said, I am not oblivious to the concerns of parents and the contents of the media their kids consume. I am a parent and I care, even if my tolerances are different than some other folks. With that in mind, I want to talk about the degree to which Elger may or may not be appropriate for any given child — not so much by age group (I was reading stuff at 10 that some high schoolers wouldn’t want to slog through) but by content. If you are a parent and you wonder whether Elger and the Moon is appropriate for your kid, I hope this helps you decide.


First of all, there is little if any profanity in the novel. I won’t say “none” because I honestly do not remember whether I might have had a few “damns”, “hells” or other words you hear on prime time television now. Note that this does not have anything to do with a personal aversion to profanity: I can be the fuckingest fucker who ever fucking fucked sometimes. But at the time I started writing Elger in earnest, Game of Thrones/The Song of Ice and Fire was the standard by which most fantasy was being measured. in other words, things were grim and dark and grimdark. Elger is partially in response to that, and as such I decided that I would avoid profanity. This includes fake fantasy profanity, but mostly because that trope annoys me to no end (I am looking at you, The Emperor’s Blades).


The same goes for sex — especially sexual violence. There is no rape, mention of rape or suggestion of rape in Elger and the Moon. It is unnecessary, even when you want to show how a bad guy is really, really bad. This is a problem in modern grimdark fantasy that I wouldn’t just like to avoid, but abolish altogether. Otherwise, there is what you might call sexuality or sexual tension in the book, but no actual sex — again, not because I have a problem with sex, but because it does not fit this story or its protagonist.


One thing you will find is a blatant, intentional acceptance of non-binary gender, homosexuality and non-sexual nudity. This is the one place where I decided to take a political stand in the book. There are gay characters and asexual characters and hermaphrodite characters and transgender characters. And they are just characters that happen to be in the book, not tokens or mouthpieces. the world I chose to create accepts these people as easily as what some might mistakenly call “normal” characters. If that sort of thing offense you, or you are worried it will confuse your kid, I can’t say anything other than that’s too bad for you.


Aside from bad words and sex, the biggest driver of concern for parents is usually violence. Elger and the Moon is an adventure story and sometimes that adventure includes physical peril at the hands of other characters and creatures of the ReAwakened World. There is a little bit of violence in the book. But Elger is no bloody swordsman; he uses his mind. Where there is violence, I think it is appropriate and appropriately appalling without wallowing in it. Any violence that happens in the story is integral to the story and as with profanity and sex, I tried to veer away from the gimdark state of modern fantasy. By comparison, The Hunger Games is much, much more violent.


When I ask my beta readers and others that have read it the question, “What age is Elger appropriate for?” the answer I get most commonly is, “Precocious 13 years old and up.” I did not set out to write a Young Adult novel. I was aiming for an “all ages” novel in the sense that anyone can pick it up, and if they are capable of making sense of the prose they should be able to deal with the content. I was writing it for my 12 year old self that picked up by turns The Lord of the Rings, The DragonLance Chronicles and The Guardians of the Flame. I hope this description helps.


If you still have questions, feel free to hit up my Facebook page or Twitter (both @IanAsItWere) and ask away!



Teledildonics: Sex and Futurism

Quick Edit: First draft was a little on the harsh side. I don’t know John Aziz or his work. That said, I still hold the linked article is not very well written.


Over at The Week writer John Aziz discusses (poorly) the emerging field of teledildonics. For those without their finger (or whatever) on the pulse of sex-tech, teledildonics is what Geordie LaForge might call web enabled sex toys, designed for use by individuals on opposite sides of an internet connection — which could be in the other room or in orbit.

Aziz says

It’s easy to condemn such things as weird or bizarre.

And I’d say that’s for good reason: Hooking up via vibrating plastic accessories attached to an internet-connected computer is clearly not the most obvious way for two people to be intimate. It is rather like a Rube Goldberg machine: an extremely complicated solution to a simple problem. Why go to such trouble to create virtual sexual experiences when real-world sex is possible without all the technology getting in the way?

In addition to being insulting, the above is obtuse. Why go through the trouble? Perhaps because a spouse or lover is separated by geographical distance. Perhaps because that lover has a medical condition that prohibits intimate interpersonal contact. or, perhaps, because it is fun to do something a little different — you know, some of the same sorts of reasons people include non-tele-dildonics in their love lives.

Aziz notes the importance of “porn” in advancing technology (though he fails to qualify that as “consumer technology” which is a relatively important distinction) but then steps over the line to suggest its inevitable powerful impact on robotics. Futuristic sex robots are not likely to push the technology in the same ways as video buffering, however. The adult industry as refined technology and applied it to consumers in new ways, but high end R&D is outside that industry’s purview. Sex robots won’t arise from the adult industry, but may well overtake it when lifelike androids become standard in our culture (which may never come to pass, of course).

Ultimately, sex with robots arises from the same place of desire as does sex with prostitutes: it promises (however unrealistically) to be both novel and to fulfilling in a way that sex with a partner (as in an equal) cannot be because partnership demands both familiarity and equitibility of pleasure. Sexbots would, one assumes, be whatever the user desired and also do whatever the user desired — like picking a girl up out of the lineup of the Bunny Ranch but with none of the human (or legal) restrictions).

More likely than the emergence anytime soon of the sexbot will be the integration of teledildonics into the adult industry. The convergence of cam girls and teledildonics seems not just inevitable, but natural. How it will be construed in regards to anti-prostitution laws is an open question and certainly one worth exploring. Include the ever-inching-forward technology of virtual reality and the future looks bright for both the long distance relationship and the virtual sex worker.